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Lot 63 Italian nude reclining female holding fruit and reclining winged angel french style clock with brass detail on face wreathed case , marble and metal quartz movement - damage SOLD R 1 Lot Lot comprising sleeping cherub,cast gypsum wall sconce semi nude cherub, 4 gilt cherubs, 2 cherubs holding bowls, gold cherub wall sconce 9 SOLD R Lot Pair of french style veneered walnut bomb shaped gueridons on short cabriolet legs capped in brass. Having marquetry and inlay detail with green marble top. SOLD R 4

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From applique and back splats to veneering and wingbacks, an essential glossary of furniture terms — with examples previously sold at Christie's.

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From applique and back splats to veneering and wingbacks, an essential glossary of furniture terms — with examples previously sold at Christie's. A set of ten George III mahogany dining-chairs, late 18th century. A pair of ormolu twin-branch wall appliques. Apron: A decorative element joining the surface of a chair or table with the legs.

Armchair: An armchair can be any chair with arms. A pair of French patinated-bronze armchairs, after the model by Gilbert Poillerat , second half 20th century. Armoire: A tall standing wardrobe or closet, often used to store clothes, which can feature one to three doors and sometimes a mirrored panel. Arrow foot: A type of chair foot that ends in a tapered cylinder, often seen in the 18th century.

Art Deco: A style popular from the s to the s characterised by bold geometric designs. Back splat: The vertical piece of wood running from the frame of a chair to the base of the backrest.

A pair of George I walnut side chairs. Early 18th century. An Irish George II mahogany long stool, circa Covered in plum-coloured velvet with silvered thread braiding, the frame carved with masks within a trelliswork ground, the cabriole legs headed by carved scallop shells and acanthus leaves, on claw-and-ball feet and recessed castors. Barrel chair: Also known as a tub chair, a barrel chair has a round upholstered seat, with the arms forming a continuous line with the backrest.

Each table-top set with hammered brass sheet, on turned supports with bentwood bases. Bas relief: A form of carving or moulding where the design projects out from the flat surface of the background. Bentwood: A kind of wood that has been heated and shaped to become curved. Early 19th century. Bevel: An edge that has been cut at a slant, often seen on mirrors. Biedermeier: Biedermeier encompasses the period between and in Central Europe.

Influenced by the Napoleonic styles, Biedermeier furniture was produced in Germany and Austria, with simpler designs that often incorporated local timber. A Biedermeier cherrywood and ebonised commode. Austrian, circa Blockfront: A kind of chest divided into three parts whereby the middle part is set back from the sides. A Regency mahogany bowfront chest. Bun foot: A ball foot that has been flattened slightly, like a bun.

Bureau: A chest of drawers often used in a bedroom, sometimes combined with a fold-down desk. A Queen Anne cross-and-featherbanded burr-walnut bureau. Cabinet: Cabinets can come in many forms, from the industrial to the ornate, and usually consist of drawers and shelves; some feature glass doors for the display of objects.

Cabriole: A kind of leg that curves out from the seat of a chair or base of a table before curving into a foot in a narrow S shape. The name comes from a type of ballet jump in which the dancer leaps into the air with one leg forward. Momoyama period late 16th century , English stand, lateth to earlyth century. Caning: A technique using the rattan or bamboo plant to create an interwoven seat, back or side of a chair. First quarter 19th century. Covered with green and cream-coloured cut silk velvet, the back of outscrolled form with one arm supported by a kneeling putto, the rounded base on seven column-form legs separated by fabric swags.

Chest on chest: Two chests of drawers stacked together, with the narrower piece on top. A William and Mary oak chest on stand. The chest late 17th century, the stand 19th century. Cheval mirror: A freestanding mirror that can be tilted to change the angle of reflection. Chiffonier: A tall chest of drawers often used to store linen or needlework, sometimes topped by a shelf or mirror.

The term also refers to a style of 18 th century American furniture. The Deshler Family Chippendale carved mahogany side chair. Club chair: A chair with a low back, often upholstered in leather. Coffee table: A long low table to be placed in front of a set of chairs or a sofa.

Commode: Not to be confused with a chair containing a chamber pot, the traditional commode is a cabinet with doors or drawers, often highly ornamental. Console table: A narrow table that is designed to be placed against a wall. An Italian or German white and pale-green painted console table. Midth century. Credenza: A low sideboard with doors, used for storage or for serving food.

Cresting: The carved decoration on the top rail of a piece of seat furniture or mirror. Damask: A lustrous fabric with a reversible pattern and figured weave, often of linen, cotton or silk, which can be used for upholstery. Davenport: A narrow writing desk with a sloped top above drawers. Daybed: A long sofa, similar to a chaise longue, that can double up as a bed, often with a small headboard at either end. A French giltwood daybed, 19th century, of Regence style.

From the Latin for tooth, dens. Dresser: A type of sideboard, often with shelves above drawers for the display of plates. Drop-leaf: A kind of table with extendable parts that hang by its sides when not in use.

Ebonising: The process by which wood is stained dark to resemble ebony. Escutcheon: The term for the plate of metal that surrounds a keyhole, often decorative. From scutum , the Latin for shield. Fauteuil: An armchair with open sides, usually upholstered on the seat and the back, leaving the wooden frame exposed. Fluting: Vertical grooves which form an elliptical-shaped recess, often employed on columns. A set of six Louis Philippe mahogany fauteuils. Second quarter 19th century.

Frieze: A broad, horizontal band which is often decorated with painting or sculpture. An Italian red and clear beaded pagoda bed, 20th century. Gallery: An ornamental wood or metal rail around a piece of furniture. Georgian: Term referring to the artistic output in the decorative arts during the reigns of the first four members of the British house of Hanover, between the accession of George I in and the death of George IV in Gesso: From the Italian for chalk, a material that can be moulded into elaborate designs for cornices, frames, etc.

Gilding: A technique of applying gold leaf to wood for decoration. A George II giltwood mirror, Circa Its pieces are still highly sought-after by collectors today. Herringbone: A way of using veneer as decoration, also known as feather banding, whereby two strips of veneer are laid at a degree angle around the edge of a piece of furniture to create a herringbone-patterned border.

Inlay: A technique of using a contrasting material to create a decorative pattern on the surface of a piece of furniture. A 'Moorish' ivory and mother-of-pearl-inlaid hardwood and ebonised occasional table, circa After the model no. A French burr-elm desk and matching chair. Lacquer: A high-gloss varnish used in Chinese and Japanese furniture.

Loveseat: A small sofa designed for two people, often made in an S shape so that a conversation can be held face-to-face. Claude Lalanne b. Gilt bronze, galvanized copper. Marquetry can be contrasted with parquetry, which forms a geometric pattern. A late Victorian mahogany and marquetry serpentine side cabinet.

Of George III style, late 19th century. A close pair of George III polychrome-decorated demi-lune commodes. Each 32 in Nesting tables: A set of small tables that fit inside each other. Occasional table: A catch-all term used to describe small freestanding tables such as coffee or side tables.

A pair of empire ormolu and patinated-bronze three-light candelabra, early 19th century. Ottoman: An ottoman is usually a low upholstered stool that can be used as a foot rest and sometimes also for storage, adopted from similar styles in the Ottoman Empire. Pad foot: A kind of foot often found on cabriole legs that ends in a flat oval disk. Palmette : Decorative motif derived from classical architecture loosely resembling an open palm leaf, often used interchangeably with the term anthemion.

Pie-crust edge: A scalloped motif either carved or moulded on the edge of a table. Plinth: The term for the squared base of a piece of furniture if it does not have legs. Queen Anne: A style of English furniture made between and , simple and elegant in style and favouring walnut. Reeding: The convex equivalent of fluting, reeding comprises parallel lines of rounded moulding. A regency parcel-gilt and simulated-calamander sofa, circa , redecorated.

Rococo: An elaborate style of furniture that followed the Baroque in the 18th century, characterised by scroll and foliate motifs.

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Female nude table basess

Female nude table basess

Female nude table basess

Female nude table basess

Female nude table basess

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Supplier A premium membership for higher-level suppliers. Supplier Location. Order : OK. Ready to Ship. Material Metal Glass Wooden Resin. Product Type Sculpture Figurine. Technique Casting Polished Carved.

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OEM Polyresin woman bronze sculpture coffee table. Explore the 1stdibs Gallery. All Art. Prints and Multiples. Drawings and Watercolor Paintings. Mixed Media. Folk Art. Asian Art. New Listings in Art.

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Exceptional Bellows Used as Coffee Table. Exceptional Coffee Table by Isabelle Faure. About Beautiful museum quality bronze sculpture of a nude female leaning, circa Her arms are positioned to hold a glass top. Exquisite jewelry!

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There seems to be a problem serving the request at this time. Skip to main content. See All. Peacock Lamp. All Auction Buy It Now. Sort: Best Match. Best Match. Gallery View. Guaranteed 3 day delivery. You are looking at anAntique Chinese Export porcelain peacock vase on bronze base Lamp. The lamp total height is The lamp was in the storage for a while. Peacock plumage in a sparkling crystalline. Switch on cord; accepts your watt bulb. Condition is Used. Drawing upon the style and techniques of the master of stained glass, Lewis Comfort Tiffany, this turn-of-the-century replica Art Nouveau Peacock Table Lamp casts flattering, softly diffused light.

Accepts three watt bulbs and a single watt bulb; pull chain switch. Only 1 left! A dozen cabochons accent the spread of stylized peacock feathers that artistically fan to create this incredible, Tiffany-style stained glass lamp. Actual lamp is in great shape. Wooden base is chipped as seen in the pictures. Is 32 inches tall. Has some small small and tiny chips near the gold accent expected with age but nothing major.

There appears to be 3 repairs on the top of the shade where it looks like 3 spots have been rewelded to secure the shade better. The glass is all original and has not been replaced. Make an Offer. Featured Refinements see all. Glass Lamp. Antique Table Lamp. Deco Lamp. Not Specified. Handmade see all.

Guaranteed Delivery see all. No Preference. Condition see all. Please provide a valid price range. Buying Format see all. All Listings. Best Offer. Buy It Now. Classified Ads. Item Location see all. Delivery Options see all. Free Shipping. Free In-store Pickup. Show only see all.

Female nude table basess

Female nude table basess

Female nude table basess