Juliette Lewis has played a myriad of characters over her career, which began when she was 12 years old. But they have something to offer each other. And while she might sound like a Kalinda-type, Juliette says Tammy is, unfortunately, only involved with her co-worker. She screeches, writhes, flips and demands attention. But I love Melissa Etheridge.
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Her sensual performance in her English-language debut The Unbearable Lightness of Being , directed by Philip Kaufman , launched her international career.
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Sitting in a San Francisco hotel room, Juliette Lewis comes off as -- of all things -- a grown-up. She is gracious, thoughtful and only slightly wary. In the decade since she emerged as a precociously talented teenager with "Cape Fear," Lewis has seemed to be many things: an edgy, intuitive actress, the wild-child girlfriend of Brad Pitt , the troubled young woman who retreated from Hollywood to kick a drug problem.
But this adult thing is relatively new. It's not like Lewis is a square or anything. But consider that she's unhip enough that her handler is her younger sister, Brandy, and that much of her spare time is spent with her young stepdaughter or her nieces.
And consider her response when asked if she ever rides a skateboard herself. Lewis is 27 now, a world away from 22, when she had her drug problem. Her drug problem was relatively brief, but Lewis had been troubled for a few years before that. She was "introverted and inarticulate, like any year-old. Lewis, in town to promote her new movie, "The Way of the Gun," is ambivalent about going public a year and a half ago with her experiences.
Back then, she revealed that she had once felt so low that she wanted to die. A definite upside in her recent life has been her marriage to Berra. And Lewis has good tidings for her former flame Pitt and his new wife, Jennifer Aniston , despite what Lewis calls "a myth on the Internet" that it took her years to get over their breakup. They just seem right for each other. Lewis says there is also a misconception about her career.
She didn't set out to play wayward characters, but because of her layered, Oscar-nominated turn in "Cape Fear" as a complicated teenager, "I got typecast as super-intense. Other people play the psychopaths in the shoot-em-up "The Way of the Gun," which opens Friday. Lewis plays a surrogate mother who is kidnapped and gets caught in the cross fire. She worked alongside her father, character actor Geoffrey Lewis "Every Which Way But Loose" , who plays one of the relatively good guys.
Between takes, I would ask him about his old spaghetti Westerns. Lewis learned about making movies as a kid when she visited her father's sets. I picked up that there are long hours, that it's very tedious, but that you work with a cast of characters, and it can be fun too.
When it came time to confront her substance abuse, though, Lewis relied on the controversial religion, and she's still a believer. To not validate it is wrong. Had I not done it, I would still be having panic attacks. It's where I sought help and got it. Before, I didn't believe in rehearsals -- I mean, I would learn my lines, but then I would hope that the 'magic' comes over me.
The learning process has continued in two forthcoming movies. She says it was nice to leave the men and guns behind. It's not like, 'Let's do the blockbusters or be in the fashion magazines every month. Official list: Where power could go out in Calif. Berkeley man dies in fall on one of Calif. SI reporter describes 'shocking' incident with Astros exec. Reporter slammed after damaging cars at auto show while on air. Report: Oakland and A's talk deal to drop lawsuit.
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Her sensual performance in her English-language debut The Unbearable Lightness of Being , directed by Philip Kaufman , launched her international career. During the s she maintained a successful career, alternating between French and English language roles in both mainstream and art-house productions. In she began a world tour with a modern dance production in-i devised in collaboration with Akram Khan.
Binoche was born in Paris, the daughter of Jean-Marie Binoche, a director, actor, and sculptor, and Monique Yvette Stalens, a teacher, director, and actress. When Binoche's parents divorced in , four-year-old Binoche and her sister Marion were sent to a provincial boarding school. Binoche has stated that this perceived parental abandonment had a profound effect on her.
Her role required just two days on—set, but was enough to inspire Binoche to pursue a career in film. Binoche's early films established her as a French star of some renown. This film was to set the tone of her early career. Adieu Blaireau failed to have much impact with critics or audiences. She was cast at short notice when Sandrine Bonnaire had to abandon the film due to a scheduling conflict.
The film was a sensation and Binoche became the darling of the festival. However it is her collaboration with theatre director Scrutzler, played by Jean-Louis Trintignant , which comes to define Nina. This film was a critical and commercial failure. Mauvais Sang is an avant-garde thriller in which she plays Anna the vastly younger lover of Marc Piccoli who falls in love with Alex Denis Lavant , a young thief.
Binoche has stated that at the time her English was very limited and that she relied on a French translation to fully grasp her role. In the film Binoche portrays an artist who lives rough on the famous Parisian bridge where she meets another young vagrant Denis Lavant.
At this point, Binoche seemed to be at a crossroads in her career. In the s Binoche was cast in a series of critically and commercially successful international films, winning her praise and awards.
Reviews were poor, with Binoche being cynically dubbed "Cathy Clouseau" and derided for her "franglais" accent. Based on the novel by Josephine Hart and directed by veteran French director Louis Malle , Damage seemed to be the ideal international vehicle for Binoche; however the production was wrought with difficulties and dogged by rumours of serious conflict.
Reviews were somewhat mixed. Though devastated she learns to cope by rejecting her previous life in favour of conscious "nothing"; rejecting all people, belongings and emotions. Binoche has said her inspirations for the role were her friend and coach Vernice Klier who suffered a similar tragedy, and the book The Black Veil by Anny Duperey which deals with the author's grief at losing her parents at a young age. She turned down both parts.
This role, as a romantic heroine, was to influence the direction of many of her subsequent roles in the late s. This screw-ball comedy tells the story of a New York psychiatrist who swaps homes with a Parisian dancer.
Her next role in The English Patient reinforced her position as an international movie star. The film, based on the novel by Michael Ondaatje and directed by Anthony Minghella , was a worldwide hit. Binoche was released from the film six weeks into the shoot due to differences with Berri regarding the authenticity of his script.
The film failed to find an audience in France, although it was critically acclaimed in the UK. The production, directed by Jonathan Kent , was very favourably received. This lavish costume drama was filmed on location in Paris and Venice and featured couture costumes by the renowned fashion designer Christian Lacroix.
Next she appeared in Michael Haneke 's Code Unknown , a film which was made following Binoche's approach to the Austrian director. The film was a worldwide hit. In a feature article entitled "The Erotic Face" in the June edition of British film criticism magazine Sight and Sound , Ginette Vincendeau pondered Binoche's persona; Vincendeau suggested that the fixation of numerous directors upon her face had led to an erasure of her body, and to her being perceived only as a romantic icon rather than a versatile actress.
After the success of Chocolat , Binoche was internationally recognised as an A-list movie star in the early s, but as an actor her persona became somewhat fixed following a series of period roles portraying a stoic heroine facing tragedy and desolation. Initially the pair despise each other, but, over the course of one night, they find common ground and maybe even love.
This playful spirit continued when Binoche featured in a Italian television commercial for the chocolates Ferrero Rocher. The advertisement played upon her Chocolat persona featuring Binoche handing out the chocolates to people on the streets of Paris. The film was an immediate success, winning best director for Haneke at the Cannes Film Festival,  while Binoche was nominated for a European Film Award for Best Actress for her role.
Mary featured Binoche in a somewhat unlikely collaboration with the controversial American director Abel Ferrara for an investigation of modern faith and Mary Magdalene 's position within the Catholic Church. Despite these accolades and favourable reviews, particularly from the cultural magazine Les Inrockuptibles ,  Mary failed to secure a distributor in key markets such as the US and the UK.
The Cannes Film Festival in saw Binoche feature in the anthology film Paris, je t'aime appearing in a section directed by the Japanese director Nobuhiro Suwa. Suwa's Place des Victoires is the story of a grief-stricken mother who manages to have a final brief moment with her dead son. The segment also features Willem Dafoe and Hippolyte Girardot. A Few Days in September is a thriller set between 5 and 11 September , in which Binoche plays a French secret service agent, who may, or may not, have information relating to impending attacks on the U.
Next Binoche travelled to the Toronto International Film Festival for the premiere of Breaking and Entering , her second film with Anthony Minghella in the director's chair, based on his first original screenplay since his breakthrough film Truly, Madly, Deeply In Breaking and Entering , Binoche played a Bosnian refugee living in London, while Jude Law co-starred as a well-to-do businessman drawn into her life via an act of deception. In preparation for her role, Binoche travelled to Sarajevo where she met women who had survived the war of the s.
Although Binoche began the decade on a professional high with an Academy Award nomination for Chocolat , she struggled at the beginning of the s to secure roles that did not confine her to the tragic, melancholic persona developed in the s. When that idea failed to find sufficient funding, Hou developed it into a feature-length film and secured the necessary financing. Paying homage to Albert Lamorisse 's short The Red Balloon , Hou's film tells the story of a woman's efforts to juggle her responsibilities as a single mother with her commitment to her career as a voice artist.
Shot on location in Paris, the film was entirely improvised by the cast. She arrives in Gaza during the Israeli disengagement. It was released in October , becoming a popular commercial success in the US, before debuting around the world in Also in France, Summer Hours , directed by Olivier Assayas , is the critically acclaimed story of three siblings who struggle with the responsibility of disposing of their late mother's valuable art collection.
The film premiered in France in March and had its U. Widely acclaimed, the film was nominated for the Prix Louis Delluc in France and appeared on numerous U. Jones's list in the Chicago Reader. In the autumn of , Binoche starred in a theatrical dance production titled in-i , co-created with renowned choreographer Akram Khan.
It premiered at the National Theatre in London before embarking on a world tour. The production was part of a 'Binoche Season' titled Ju'Bi'lations , also featuring a retrospective of her film work and an exhibition of her paintings, which were also published in a bilingual book Portraits in Eyes. She also penned a few lines to each director.
The film went on general release in France on 19 May to very positive reviews. She has nothing — absolutely nothing". I understand you don't have to like everyone and you can dislike someone's work. But I don't understand the violence [of his statements] I do not understand why he is behaving like this. It is his problem. Elles , produced under the working title Sponsoring ,   is an examination of teenage prostitution with Juliette Binoche playing a journalist for ELLE.
The film was released in France on 1 February When she wakes up, she discovers that 15 years have passed. With no memory of these years she learns she has acquired an impressive career, a son and a marriage to Paul which seems headed for divorce.
The film met with generally mixed reviews in France. The film, produced by Paulo Branco, began principal photography on 24 May and was released in , following a competition slot at the Cannes Film Festival. The film depicts the consequences of an unexpected pregnancy and alcoholism upon their relationship.
Released at the Berlin International Film Festival , Bruno Dumont 's Camille Claudel is a drama recounting three days of the 30 years French artist Camille Claudel Binoche spent in a mental asylum though she had not been diagnosed with any malady.
The film examines Claudel's fight to maintain her sanity and find creative inspiration while awaiting a visit from her brother, the poet Paul Claudel.
The film received excellent reviews with Binoche in particular gaining excellent reviews for her performance. She co-starred in Gareth Edwards' Godzilla , which was theatrically released in May The film was written especially for Binoche and plot elements parallel her life.
The film had its debut at Cannes Directed by Ivo van Hove , the production had a world premier in Luxembourg at the end of February. I don't look back on the past because I like to live in the present.
I know this makes some people think I probably never cared, but I need my freedom and I like to keep moving. Set in , the film tells the unusual story of two families linked by an unlikely romance. Ma Loute won much praise from French critics and was a popular success at the French box office. In May Binoche and Cottin appeared together again, this time on the small screen in the final episode of the second season of Dix Pour Cent Call My Agent where Juliette Binoche played herself in a tongue-in-cheek episode centering on the Cannes Film Festival.
Returning to the big screen, Binoche next appeared in a supporting role in Rupert Sanders's big screen adaptation of the cult manga Ghost in the Shell Binoche played Dr Ouelet, a scientist with the Hanka organisation responsible for creating the ghost in the shell, Major, portrayed by Scarlett Johansson. The film is the story of a middle-aged Parisian artist, Isabelle Binoche , who is searching for true love at last.
The film depicts her many encounters with a number of unsuitable men. Her half-brother Camille Humeau born is an acclaimed musician and has been part of the line-up of Oncle Strongle,   before top-lining the group Artichaut Orkestra.
Through this charity she is godmother to five Cambodian orphans, and has funded the construction of a children's home in Battambang.
In , she presided over "Photos of Stars" with Thierry Ardisson. Nearly French stars were given disposable cameras, which were then auctioned, the buyer then having the exclusive photos taken by the star developed.
On 7 February , Binoche attended a high-profile demonstration organised by Reporters Without Borders in support of Jill Carroll and two Iraqi journalists who had been abducted in Baghdad. Binoche was a signatory to a June petition organised by Reporters Without Borders and Shirin Ebadi to protest against the detention of numerous people, including members of the press, who were protesting the occasion of the first anniversary of the disputed re-election of Iran 's president Mahmoud Ahmadinejad.