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Summary: Ina victim wrote a letter to Bishop Trautman at the Diocese of Erie where she stated in inwhen she was 13, she experienced abuse at the hands of Hopkins in Emma marian bills sucks rectory of St. Premium texts are markan to allowed, and always have been. The path ahead had become far riskier for both sides. How dare they, indeed? She wanted her day in court, however brutal it might be. Some consumers have reported obtaining a refund without too much difficulty. She could recall being with McMahon when he was naked. The expert witnesses would have to be summoned again and again, and the court would need to assemble different juries for each Emma marian bills sucks. I have sent an email to them directly but I am not optimistic.
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It was a late summer afternoon, Sally Dale recalled, when the boy was thrown through the fourth-floor window. Her right hand slapped down on the left, rebounded up a little, then landed again. For just a moment, the room was still. Sally, who was speaking under oath, tried to explain it. She started again.
A nun was standing at the window, Sally said. She straightened her arms out in front of her. There were only two people in the yard, she said: Sally herself and a nun who was escorting her.
In a tone that was still completely bewildered, she recalled asking, Sister? The nun told her she had a vivid imagination. We are going to have to do something about you, child. Girls usually moved when they were 6, though residents of St.
She recounted his fall in a deposition on Nov. By that time sexual abuse scandals had ripped through the Catholic Church, shattering the silence that had for so long protected its secrets. It was easier for accusers in general to come forward, and easier for people to believe their stories, even if the stories sounded too awful to be true. Even if they had happened decades ago, when the accusers were only children.
Even if the people they were accusing were pillars of the community. It is the history of unrelenting physical and psychological abuse of captive children.
Across thousands of miles, across decades, the abuse took eerily similar forms: People who grew up in orphanages said they were made to kneel or stand for hours , sometimes with their arms straight out, sometimes holding their boots or some other item. They were forced to eat their own vomit.
They were dangled upside down out windows, over wells, or in laundry chutes. Children were locked in cabinets, in closets, in attics, sometimes for days, sometimes so long they were forgotten. They were sexually abused. They were mutilated. Sally herself described witnessing at least two incidents in which she said a child at St. Outside the United States, the orphanage system and the wreckage it produced has undergone substantial official scrutiny over the last two decades.
In Canada, the UK, Germany, Ireland, and Australia, multiple formal government inquiries have subpoenaed records, taken witness testimony, and found, time and again, that children consigned to orphanages — in many cases, Catholic orphanages — were victims of severe abuse.
In the United States, however, no such reckoning has taken place. Even today the stories of the orphanages are rarely told and barely heard, let alone recognized in any formal way by the government, the public, or the courts.
The few times that orphanage abuse cases have been litigated in the US, the courts have remained, with a few exceptions, generally indifferent. Private settlements could be as little as a few thousand dollars. Government bodies have rarely pursued the allegations.
So in a journey that lasted four years, I went around the country, and even around the world, in search of the truth about this vast, unnarrated chapter of American experience. Eventually I focused on St. The former residents of St. Their tales were strikingly similar, each adding weight and credibility to the others.
In these accounts, St. When I first started looking, it seemed that all that remained of St. Through tens of thousands of pages of documents, some of them secret, as well as dozens of interviews, what I found at St. While it cannot alter the past, the Diocese is doing everything it can to ensure children are protected. For decades, Sally Dale, like so many of the children of St. Many of the orphans went on to marry, and to have children and grandchildren, without letting on that they had spent any time in an orphanage.
Some, their trust forever shattered, had been unable to forge any close connections. Robert Widman, the attorney who sat beside Sally, offered them a chance to be heard, and to force the world outside the orphanage to reckon with what went on inside its walls. That legal effort lasted three years. For the former residents of St. For the Catholic Church, too, the stakes were enormous. If the Burlington plaintiffs won, it could create a precedent and encourage civil cases at a massive scale.
The financial consequences would be hard to fathom. Widman and his band of orphans posed a profound threat, and the church was going to bring all its might to oppose it. Philip White was sitting in his large, third-floor law office one afternoon in when the mysterious caller arrived. He said his name was Joseph Barquin. White invited him to have a seat and tell his story.
Barquin asked White to send his secretary out so the two men could speak privately. Barquin said he had recently married, and that his new wife had been shocked by the sight of terrible scars on his genitals.
Barquin told White what he had told her: that in the early s, when he was a young boy, he had spent a few years in an orphanage called St. It had been a dark and terrifying place run by an order of nuns called the Sisters of Providence. Barquin recalled a girl who was thrown down stairs, and he remembered the thin lines of blood that trickled out of her nose and ear afterward. He saw a little boy shaken into uncomprehending shock. He saw other children beaten over and over. A nun at St. To get help with the cost, and to get an apology, Barquin spoke to two priests at the diocese, but he received very little response.
Now he wanted to sue. He had come to the right lawyer. As a prosecutor in Newport, Vermont, and then as a private attorney, White had devoted his career to challenging and changing the prevailing wisdom about young victims of sexual abuse. Before , White told me, social services typically steered child abuse victims away from court, because the process was thought to be too traumatic for the children and the cases were too hard to prove.
So he and some of his colleagues brought together social services, police, and probation officers and created a new set of protocols for how abuse should be addressed. White and his colleagues traveled around the state, and eventually the country, encouraging different agencies to work together, and educating mental health workers and teachers about how and why to report abuse. Whenever a young client testified, White threw a party, with cake and balloons and streamers. He told the children that regardless of how the case was decided, they had spoken their truth, and that was the victory.
He knew from experience what it was like to challenge the diocese. And as hard as it would still have been, in that era, to convince jurors that a priest could be a sexual predator, making that argument about a nun was going to be much harder. White arranged a press conference for Barquin to tell his story, in hopes it might bring other St.
In his years since leaving the orphanage, Barquin had led an adventurous life. He had worked as a diver, unearthing old shipwrecks and ancient fossils. But the day of his press conference, Barquin felt like he was lighting a match inside a dark and ominous cave. He was scared, but hopeful that he might inspire others to do the same. He heard from Soon a support group called the Survivors of St. Participants said it grew to 80 members.
The meetings were unpredictable. Some former residents said that the orphanage was the best thing that ever happened to them. Others recounted constant cruelty and physical abuse. Some threatened violence against clergy members. One woman said she was writing a book. Another, who had been at the orphanage in the s, called to tell her story, weeping in fear that God would punish her for saying it aloud.
One man turned up outrageously drunk. Another spoke about how, at home, he would regularly lock himself in a box. Someone wrote to White to warn him that the diocese had sent a spy. Around that time, one former resident killed himself. Survivors fought among themselves about what strategy to pursue. Some wanted therapists present at the meetings, but others were appalled by the suggestion.
Eventually White decided to convene a big gathering at the Hampton Inn in Colchester, Vermont, on the weekend of Sept.
Sally Dale received an invitation. But she was curious to see some of the old faces and find out who was still around. It was Roger Barber, one of the boys from St. Sally remembered some of those things. She sometimes remembered bad things too, such as times when the nuns hit her. But it was a long time ago.
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Paris Review - Marion
Insert chills here. Oh, and why they settled on those final three words that will haunt you until the end of time. And we were trying to convey the emotional experience of reading the book, and to me the book ended there.
And it felt emotionally like, this story is about the legacy of violence among these women and that it really started with Adora. So to end it sort of calling back to Adora felt like the original ending for this mystery. Did you leave clues for fans to find if they go back for a second viewing, now that they know Amma is the killer? I mean, part of the fun of taking this from the book to the screen is that that Amma character portrayed by Eliza is so complicated.
Her relationship with Camille is so complicated. And it is in the book too. But I think because Eliza and Amy brought something to it that Gillian and myself we felt really strongly about — which is there is this side of Amma that is really loving and is looking for a protector and a champion and a sister — so that we could rest a little bit. But you know, in the end it is a whodunit, she dun it. To me, the story, you know, is really about this legacy of violence in their family.
And Adora, a lot of what Amma does is in reaction to Adora. I think we were really committed to really doing the book justice, and it is a whodunit. You know, this story feels very complete. But there is also just the reality that this is a tough team to assemble and I think it would be pretty impossible to do it again laughs.
And while Noxon and Flynn worked closely together on the TV adaptation starring Amy Adams, there are a few key differences that were made to take the story from the page to the small screen. Here, Noxon broke down a few of them for TheWrap. Spoilers abound, obviously. Viewers of the TV adaptation find out Camille Amy Adams is a cutter, who has marks covering nearly her whole body at the end of the premiere episode -- but it takes readers about 60 pages to get to that revelation. In the novel, Amma is only 13 years old, though the actress who plays her, Eliza Scanlen, is 19 in real life.
Showrunner Marti Noxon said that the decision to age Amma up was in part to make sure viewers wouldn't be distracted by her youth. She continued to say that their goal was to age her "only about a year older, 14 maybe nearing 15? But we just wanted to age her up a tiny bit because of some of the parts in the book that are you know -- visually it's different to see it than to read it, we might even age her up in your head a little bit. And depending on her emotional and physical maturity, you can imagine something for a girl who looks a certain age and not with others.
You know, it would take the focus and put it on a whole different thing. While Camille mentions in the book that she became sexually active at a young age following Marian's death, the actual flashback to the gang rape she experienced at 13 was added for the TV adaptation and portrayed in a different way. In the book, Adams' character tells Richard Chris Messina about an eighth grader who got drunk at a high school party and was passed around by the football team -- not letting on she's telling her own story.
Whereas on the HBO drama, we actually see a dark glimpse of our heroine's abusive past, in a scene that shows a preteen Camille in her cheerleading uniform, being hunted down in the woods by boys who go on to gang rape her in broad daylight. One thing we learn about Camille's backstory is her history with alcoholism and self harm and that she at one point checked herself into rehab. She's bunkmates with a young girl named Alice, who Camille empathizes with -- and who introduces her to several rock classics.
Sadly, Alice dies by suicide, and her memory joins Marian in haunting Camille throughout the series. In Flynn's novel, Camille does attend rehab and has a year-old girl as a roommate, who kills herself by swallowing a bottle of Windex -- but her good friend Alice is strictly a character from the show. One of the show's delights is the way music is used to enhance the story. But while Camille is obsessed with her rock playlist -- and carries that cracked iPod with her everywhere -- there's no mention of her musical preferences in the book.
Of course, Camille's connection to music is largely due to her relationship with Alice, who also isn't mentioned in the book. Noxon added that she was impressed with his ability to secure the rights to some songs. As for Camille's visions of Marian, Alice, Natalie and Ann, those were a visually creative decision added to the show by Vallee as well. She will tell the truth about one of these stories. On the small screen, the detective is the one who hunts down the nurse who spills the beans about how Marian died due to Munchausen by proxy inflicted on her by Adora, in the book Camille goes looking for the truth herself -- and finds it.
Calhoun Day is a huge event in the show for Wind Gap, but the holiday doesn't exist in the book. Noxon told TheWrap in a previous interview that the whole idea started out as a joke in the writer's room. The HBO limited series cuts off dramatically as Camille is realizing that Amma is the one who killed Ann Nash and Natalie Keene, when she discovers the mosaic of of jagged, broken teeth in her dollhouse.
But the book continues for a bit and Amma even ends up in prison for what she's done and Camille goes to live with Curry and Eileen to recover from a relapse into cutting. Noxon told TheWrap that the decision to end the show's story there was because she and the writers wanted to "convey the emotional experience of reading the book and, to me, the book ended there.
Unless we're counting those violent flashes in the finale's post-credits scenes , viewers don't find out how Amma took those young girls' lives. But in the final few pages of the novel, it's revealed Amma had some help from her friends in kidnapping Natalie and Ann, while she was the one to ultimately strangle them to death and pry out their little teeth. Yeah, in the book, Lily Burke -- a friend Amma makes when she moves to the city with Camille -- falls victim to the young sociopath's murderous streak as well before all is said and done.
Amma kills her new bestie when she thinks Camille likes her better than her little sister, and Camille finds some of Lily's hair in the dollhouse, alongside those teeth. On the show Amma's new friend's name is Mae and the story gets cut off before that murder takes place. Though the post-credits scene alludes to a still-not-so-happy ending for Mae.
While a smaller detail, in the book, Camille lives in Chicago, not St. But in both the show and the book, she works as a reporter for an editor named Curry and brings Amma home for a time after Adora is arrested.
OK, now that you are thoroughly creeped out by the HBO adaptation, might we suggest you go fully immerse yourself in the twisted pages of the novel? And don't say we didn't warn you about those darker differences. Well, some of them. When Camille's cutting is revealed on screen vs. Amma's age In the novel, Amma is only 13 years old, though the actress who plays her, Eliza Scanlen, is 19 in real life. The gang rape scene While Camille mentions in the book that she became sexually active at a young age following Marian's death, the actual flashback to the gang rape she experienced at 13 was added for the TV adaptation and portrayed in a different way.
Alice One thing we learn about Camille's backstory is her history with alcoholism and self harm and that she at one point checked herself into rehab. Camille's obsession with music One of the show's delights is the way music is used to enhance the story. Richard discovers the truth about Marian -- not Camille On the small screen, the detective is the one who hunts down the nurse who spills the beans about how Marian died due to Munchausen by proxy inflicted on her by Adora, in the book Camille goes looking for the truth herself -- and finds it.
Calhoun Day Calhoun Day is a huge event in the show for Wind Gap, but the holiday doesn't exist in the book. Ending The HBO limited series cuts off dramatically as Camille is realizing that Amma is the one who killed Ann Nash and Natalie Keene, when she discovers the mosaic of of jagged, broken teeth in her dollhouse.
We don't learn how Amma murdered Natalie and Ann Unless we're counting those violent flashes in the finale's post-credits scenes , viewers don't find out how Amma took those young girls' lives. Amma doesn't kill her friend in the city -- on screen Yeah, in the book, Lily Burke -- a friend Amma makes when she moves to the city with Camille -- falls victim to the young sociopath's murderous streak as well before all is said and done.
Chicago While a smaller detail, in the book, Camille lives in Chicago, not St. View In Gallery. Show Comments. Keep Reading Keep reading by creating a free account or logging in. Continue Login.