Hot girls taking off bras-Girls banned from wearing coloured bras at school as they 'distract boys'

The history of bras is inextricably intertwined with the social history of the status of women, including the evolution of fashion and changing views of the female body. Women have used a variety of garments and devices to cover, restrain, reveal, or modify the appearance of breasts. Bra- or bikini-like garments are depicted in some female athletes of the Minoan civilization in the 14th century BC. Corsets varied in length from short ones which only supported the bust to longer ones also used to shape the waist. In the latter part of the 19th century, women experimented with various alternatives such as splitting the corset into a girdle -like restraining device for the lower torso and transferring the upper part to devices suspended from the shoulder.

Hot girls taking off bras

Hot girls taking off bras

Hot girls taking off bras

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The Manchester Evening News reports that female students at Barlow RC High School have been told they will be sent home if they wear coloured bras, make-up or tight clothing.

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Hot girls taking off bras

Hot girls taking off bras

Hot girls taking off bras

Hot girls taking off bras

Hot girls taking off bras. Featured channels

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Fit Girls Taking Selfies in Sports Bras : theCHIVE

The history of bras is inextricably intertwined with the social history of the status of women, including the evolution of fashion and changing views of the female body. Women have used a variety of garments and devices to cover, restrain, reveal, or modify the appearance of breasts. Bra- or bikini-like garments are depicted in some female athletes of the Minoan civilization in the 14th century BC.

Corsets varied in length from short ones which only supported the bust to longer ones also used to shape the waist. In the latter part of the 19th century, women experimented with various alternatives such as splitting the corset into a girdle -like restraining device for the lower torso and transferring the upper part to devices suspended from the shoulder. Since then bras have replaced corsets although some women prefer camisoles and some, as well, go without.

From there the bra was adopted by women in Asia, Africa, and Latin America, [4] although we have no information about what arrangements, if any, immediately preceded the adoption of the bra across Asia, Africa and Latin America. During the 20th century, greater emphasis has been given to the fashion aspects of bras.

The manufacture of bras is a multibillion-dollar industry dominated by large multinational corporations [ citation needed ]. In ancient Egypt , women were generally bare breasted. The kalasiris might cover one or both shoulders or be worn with shoulder straps. While the top could reach anywhere from below the breast to the neck, the bottom hem generally touched the ankles.

A variant was a single cross strap, partially over the left breast. Although the majority of female figures in ancient Indian sculptures are devoid of a blouse, there are several instances of ancient Indian women wearing bras.

The first historical reference to bras in India is found during the rule of King Harshavardhana 1st century AD. Sewn bras and blouses were very much in vogue during the Vijayanagara empire and the cities brimmed with tailors who specialized in tight fitting of these garments.

The half-sleeved tight bodice or kanchuka figures prominently in the literature of the period, especially Basavapurana AD , which says kanchukas were worn by young girls as well. Wearing a specialized garment designed to restrain a woman's breasts may date back to ancient Greece.

Wall paintings in Crete, the center of the Minoan civilization , show a woman performing athletics in what has been described as a "bikini". Their clothing looked somewhat like modern fitted and laced corsets or a corselette. The succeeding Mycenae civilization emphasized the breast, which had a special cultural and religious significance, associating the mature figure with fertility and procreation.

Women in Classical Greece [8] are often depicted loosely draped in diaphanous garments , or with one breast exposed. A belt could also be fastened over a simple tunic-like garment or undergarment, just below the breasts or over the breasts.

When the apodesmos was worn under the breasts, it accentuated them. In view of its association with the love goddess, this type of garment probably had an erotic connotation because of its effect to accentuate the breast. In Sparta, women usually wore the chiton completely open on the left side. Women in ancient Rome adopted a form of the Greek apodesme , known as the strophium or mamillare.

Since the Romans regarded large breasts as comical, or characteristic of aging or unattractive women, [21] young girls wore breast bands fascia secured tightly in the belief that doing so would prevent overly large, sagging breasts. The so-called "bikini girls" mosaic from the Villa Romana del Casale 4th century AD shows women performing gymnastic or dance routines while wearing a garment similar to a strapless bra and briefs. The settings in which the paintings are found indicate that the women depicted may be prostitutes.

In China , a loose silk bodice tied at the waist and tied or looped around the neck called the dudou lit. In Europe, in the Middle Ages it was exceptional for women to restrict or support their breasts and if they did, they probably used something like a cloth binder, as is suggested in descriptions of the time [ citation needed ].

A widely quoted statement is that an edict of Strasbourg in the Holy Roman Empire , dated states, "No woman will support the bust by the disposition of a blouse or by tightened dress. Four lace-decorated bras were found among 3, textile fragments during a renovation project in an Austrian castle. Generally, in the Middle Ages the breasts were minimized in dresses with straight bodices, full skirts and high necklines, designed primarily for function rather than emphasis on form.

Late medieval dresses are fitted precisely and snugly to the body and function as breast support. Depictions of women in 14th- and 15th-century art show a high, rounded breast silhouette on women old and young, full-busted and small. This look is not possible without support. The 15th-century ideal form was small-breasted and full-figured, symbolizing abundance of fertility.

There was some status to firm breasts in upper class women, who did not breast feed. Infants were given to wet nurses to breast feed, since nursing was considered bad if a woman wanted to maintain an ideal form. She was reported to have prohibited wide waists at court in the s, legend suggesting she made them wear steel framework corsets.

Elaborate constraints placed on women's figures over the years were not universal. Corsetry made it virtually impossible to work, so simpler functional garments were worn by women who worked inside or outside the home. Support for the breasts was often provided by a simple tie under the breast line, in the bodice. Early corsets of the 16th century consisted of paste-stiffened linen and a primitive busk at the front but later included iron supports at the side and back.

The ideal form was a flat torso, which inevitably pushed the breasts upwards and out. The labouring class by contrast wore a simple front-lacing cotte. The breasts were often supported by a tie below the bust, and extant bust-support garments ranged from soft stays to wrap-front items similar to sports bras.

In , the court and the corset returned. During this era, "fashion-conscious women In the Victorian era , despite contemporary ideas about morality, women's clothing was paradoxically designed to emphasize both the breasts and hips by tightlacing the waist.

Victorian women were encumbered with many layers of clothing, including a chemise with a drawstring neckline, usually drawers , then the corset and corset cover, the under petticoat , the hoop skirt, the over petticoat, and finally the dress.

According to the social expectations of the times, even the lowest-cut evening gown should dip no lower than three finger breadths below the clavicles. For those who instead wore a one-piece undershift unionsuit , this separated into the camisole and drawers.

These were not designed for support but merely coverage. Women's dress emphasized an "S" shape, with an indrawn stomach giving prominence to the posterior and bust.

In the late 19th century and early 20th century the bosom could still be displayed. The evolution of the bra from the corset was driven by two parallel movements: health professionals' concerns about the cruel, constraining effects of the corset, and the clothing reform movement of feminists who saw that greater participation of women in society would require emancipation from corsetry.

Although there were a number of voices warning about the considerable health risks of corsets, health professions were generally muted, and women ignored "unfashionable" advice.

Ill health was considered synonymous with femininity, and a pale and sickly demeanor was normative. Fictional heroines often died from tuberculosis, or "consumption.

Corsets were supposed to provide both physical and moral support. Some physicians ignored colleagues who felt corsets were a medical necessity because of women's biology and the needs of civilized order. The physicians who raised the alarm pointed to nausea, bowel disturbances, eating disorders, breathlessness, flushing, fainting, and gynecological problems.

Bed rest was a common prescription for the "weaker sex," which of course implied relief from corsetry. Women's interest in sport, particularly bicycling, forced a rethinking, and women's groups called for "emancipation garments. Not surprisingly, corsetieres fought back, embellishing their products to be frilly and feminine in the s. Advertising took on overtones of erotic imagery, even if in practice they acted as a deterrent to sexuality, especially when they started appearing in men's magazines, stressing cleavage and bare arms then taboo.

Dolls assumed the corseted image, implanting an image of the "ideal" female form. Corsets certainly reinforced the image of a weaker sex, unable to defend themselves, and also made it a challenge to disrobe. In practice, early bras made little market penetration. They were expensive, and only educated wealthy reformers wore them to any extent. American women who made important contributions included Amelia Bloomer — "When you find a burden in belief or apparel, cast it off" [40] and Dr.

Mary Edwards Walker — Patent dates indicate some of the landmark developments; a large number of patents for bra-like devices were granted in the 19th century. However, what is regarded as the world's oldest push-up bra was discovered in storage at the Science Museum in London. Designed to enhance cleavage, the bra is said to be from the early 19th century.

A bra-like device [42] that gave a symmetrical rotundity to the wearer's breasts was patented in by Henry S. Lesher of Brooklyn, New York. In , a "corset substitute" was patented by Luman L. Chapman of Camden, New Jersey. Historians refer to it as a "proto-bra. In , dressmaker Olivia Flynt was granted four patents covering the "true Corset" or "Flynt Waist. Reformers stimulated demand for and probably purchased these early garments on "hygienic" grounds because of their concerns about the corset.

Initially Flynt's garments were only available by mail order, but they eventually appeared in department and clothing stores and catalogues. Her designs won a bronze medal at the Massachusetts Charitable Mechanics Association in , at the Cotton Centennial Exposition in Atlanta in —5, and at the Columbian Exposition in Chicago in According to Life magazine, in Herminie Cadolle of France invented the first modern bra.

Her garment effectively cut the traditional corset in two: The lower part was a corset for the waist and the upper part supported the breasts with shoulder straps. Her description reads "designed to sustain the bosom and supported by the shoulders.

The company, still family-owned, claims today that Herminie "freed women by inventing the first Bra. She also introduced the use of "rubber thread" or elastic. In , Marie Tucek received a U. Home-sewn garments competed with factory-made, ready-to-wear garments. After the straight-fronted corset became fashionable in the early 20th century, a bra or "bust supporter" became a necessity for full-busted women because the straight-fronted corset did not offer as much support and containment as the Victorian styles.

Early bras were either wrap-around bodices or boned, close-fitting camisoles both worn over the corset. They were designed to hold the bust in and down against the corset, which provided upward support. Their major appeal was to those for whom lung function and mobility were priorities, rather than outer appearance. The first modern bra was patented by the German Christine Hardt in

Hot girls taking off bras